14 ideas
| 19115 | You can 'rebut' an argument's conclusion, or 'undercut' its premises [Antonelli] |
| 19119 | We infer that other objects are like some exceptional object, if they share some of its properties [Antonelli] |
| 19111 | Reasoning may be defeated by new premises, or by finding out more about the given ones [Antonelli] |
| 19114 | Should we accept Floating Conclusions, derived from two arguments in conflict? [Antonelli] |
| 19113 | Weakest Link Principle: prefer the argument whose weakest link is the stronger [Antonelli] |
| 19116 | Non-monotonic core: Reflexivity, Cut, Cautious Monotonicity, Left Logical Equivalence, Right Weakening [Antonelli] |
| 19117 | We can rank a formula by the level of surprise if it were to hold [Antonelli] |
| 19118 | People don't actually use classical logic, but may actually use non-monotonic logic [Antonelli] |
| 19110 | In classical logic the relation |= has Monotony built into its definition [Antonelli] |
| 19112 | Cautious Monotony ignores proved additions; Rational Monotony fails if the addition's negation is proved [Antonelli] |
| 20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
| 20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
| 20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |